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        <description>Does YouTube's copyright and content governance system constitute a new form of what Benjamin called the elimination of "historical testimony", not through reproduction but through administrative erasure? Has Instagram completed a further shift, from Benjamin's "exhibition value" to an engagement value in which a work's worth is measured entirely by its capacity to generate behavioral data? And given that Doctorow identifies lock-in as enshittification's engine, does YouTube's archive model create deeper lock-in — and deeper harm — than Instagram's feed?</description>
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